Summary and Analysis of The American Scholar
About The American Scholar
Originally titled "An Oration Delivered before the Phi
Beta Kappa Society, at Cambridge, [Massachusetts,] August 31, 1837,"
Emerson delivered what is now referred to as "The American Scholar"
essay as a speech to Harvard's Phi Beta Kappa Society, an honorary society of
male college students with unusually high grade point averages. At the time,
women were barred from higher education, and scholarship was reserved
exclusively for men. Emerson published the speech under its original title as a
pamphlet later that same year and republished it in 1838. In 1841, he included
the essay in his book Essays, but changed its title to "The American
Scholar" to enlarge his audience to all college students, as well as other
individuals interested in American letters. Placed in his Man Thinking: An
Oration (1841), the essay found its final home in Nature; Addresses, and
Lectures (1849).
The text begins with an introduction (paragraphs 1-7) in
which Emerson explains that his intent is to explore the scholar as one
function of the whole human being: The scholar is "Man Thinking." The
remainder of the essay is organized into four sections, the first three
discussing the influence of nature (paragraphs 8 and 9), the influence of the
past and books (paragraphs 10-20), and the influence of action (paragraphs
21-30) on the education of the thinking man. In the last section (paragraphs
31-45), Emerson considers the duties of the scholar and then discusses his
views of America in his own time.
Paragraphs 1-7 - Man Thinking
Emerson opens "The American Scholar" with
greetings to the college president and members of the Phi Beta Kappa Society of
Harvard College. Pointing out the differences between this gathering and the
athletic and dramatic contests of ancient Greece, the poetry contests of the
Middle Ages, and the scientific academies of nineteenth-century Europe, he
voices a theme that draws the entire essay together: the notion of an
independent American intelligentsia that will no longer depend for authority on
its European past. He sounds what one critic contends is "the first
clarion of an American literary renaissance," a call for Americans to seek
their creative inspirations using America as their source, much like Walt
Whitman would do in Leaves of Grass eighteen years later. In the second
paragraph, Emerson announces his theme as "The American Scholar" not
a particular individual but an abstract ideal.
The remaining five paragraphs relate an allegory that
underlies the discussion to follow. According to an ancient fable, there was
once only "One Man," who then was divided into many men so that
society could work more efficiently. Ideally, society labors together — each
person doing his or her task — so that it can function properly. However,
society has now subdivided to so great an extent that it no longer serves the
good of its citizens. And the scholar, being a part of society, has degenerated
also. Formerly a "Man Thinking," the scholar is now "a mere
thinker," a problem that Emerson hopes to correct successfully by
re-familiarizing his audience with how the true scholar is educated and what
the duties of this scholar are.
Paragraphs 8-9 - The Influence of Nature
In these two paragraphs comprising the first section on
how a scholar should be educated, Emerson envisions nature as a teacher that
instructs individuals who observe the natural world to see — eventually — how
similar their minds and nature are. The first similarity he discusses concerns
the notion of circular power — a theme familiar to readers of the Nature
essay — found in nature and in the scholar's spirit. Both nature and the
scholar's spirit, "whose beginning, whose ending he never can find — so
entire, so boundless," are eternal.
Order is another similarity — as it is in Nature —
between the scholar and nature. At first, the mind views a chaotic and infinite
reality of individual facts, but then it begins to classify these facts into
categories, to make comparisons and distinctions. A person discovers nature's
laws and can understand them because they are similar to the operations of the
intellect. Eventually, we realize that nature and the soul — both proceeding
from what Emerson terms "one root" — are parallel structures that mirror
each other (Emerson's term for "parallel" may be misleading; he says
that nature is the "opposite" of the soul). So, a greater knowledge
of nature results in a greater understanding of the self, and vice versa. The
maxims "Know thyself" and "Study nature" are equivalent:
They are two ways of saying the same thing.
Paragraphs 10-20 - The Influence of the Past
Emerson devotes much of his discussion to the second
influence on the mind, past learning — or, as he expresses it, the influence of
books. In the first three paragraphs of this section, he emphasizes that books
contain the learning of the past; however, he also says that these books pose a
great danger. While it is true that books transform mere facts
("short-lived actions") into vital truths ("immortal
thoughts"), every book is inevitably a partial truth, biased by society's
standards when it was written. Each age must create its own books and find its
own truths for itself.
Following this call for each age's creating truth, Emerson
dwells on other dangers in books. They are dangerous, he says, because they
tempt the scholar away from original thought. Excessive respect for the
brilliance of past thinkers can discourage us from exploring new ideas and
seeking individualized truths.
The worst example of slavish deference to past thinkers is
the bookworm, a pedant who focuses all thought on trivial matters of
scholarship and ignores large, universal ideas. This type of person becomes
passive and uncreative, and is the antithesis of Emerson's ideal of the
creative imagination: "Man hopes. Genius creates. To create, — to create,
— is the proof of a divine presence." The non-creative bookworm is more
spiritually distanced from God — and, therefore, from nature — than is the
thinker of original thoughts.
But the genius, too, can suffer from the undue influence
of books. Emerson's example of this kind of sufferer are the English dramatic
poets, who, he says, have been "Shakespearized" for two hundred
years: Rather than producing new, original texts and thoughts, they mimic
Shakespeare's writings. Citing an Arabic proverb that says that one fig tree
fertilizes another — just like one author can inspire another — Emerson
suggests that true scholars should resort to books only when their own creative
genius dries up or is blocked.
The last three paragraphs of this section refer to the
pleasures and benefits of reading, provided it is done correctly. There is a
unique pleasure in reading. Because ancient authors thought and felt as people
do today, books defeat time, a phenomenon that Emerson argues is evidence of
the transcendental oneness of human minds. Qualifying his previous insistence
on individual creation, he says that he never underestimates the written word:
Great thinkers are nourished by any knowledge, even that in books, although it
takes a remarkably independent mind to read critically at all times. This kind
of reading mines the essential vein of truth in an author while discarding the
trivial or biased.
Emerson concedes that there are certain kinds of reading
that are essential to an educated person: History, science, and similar
subjects, which must be acquired by laborious reading and study. Foremost,
schools must foster creativity rather than rely on rote memorization of texts:
". . . [schools] can only highly serve us, when they aim not to drill, but
to create."
Paragraphs 21-30 - The Influence of Action
In this third section, Emerson comments on the scholar's
need for action, for physical labor. He rejects the notion that the scholar
should not engage in practical action. Action, while secondary to thought, is
still necessary: "Action is with the scholar subordinate, but it is
essential." Furthermore, not to act — declining to put principle into
practice — is cowardly. The transcendental concept of the world as an
expression of ourselves makes action the natural duty of a thinking person.
Emerson observes the difference between recent actions and
past actions. Over time, he says, a person's past deeds are transformed into
thought, but recent acts are too entangled with present feelings to undergo
this transformation. He compares "the recent act" to an insect larva,
which eventually metamorphoses into a butterfly — symbolic of action becoming
thought.
Finally, he praises labor as valuable in and of itself,
for such action is the material creatively used by the scholar. An active
person has a richer existence than a scholar who merely undergoes a second-hand
existence through the words and thoughts of others. The ideal life has
"undulation" — a rhythm that balances, or alternates, thought and
action, labor and contemplation: "A great soul will be strong to live, as
well as strong to think." This cycle creates a person's character that is
far superior to the fame or the honor too easily expected by a mere display of
higher learning.
Paragraphs 31-45 - The Scholar's Duties
After Emerson has discussed how nature, books, and action
educate the scholar, he now addresses the scholar's obligations to society.
First, he considers these obligations in general, abstract terms; then he
relates them to the particular situation of the American scholar.
The scholar's first and most important duty is to develop
unflinching self-trust and a mind that will be a repository of wisdom for other
people. This is a difficult task, Emerson says, because the scholar must endure
poverty, hardship, tedium, solitude, and other privations while following the
path of knowledge. Self-sacrifice is often called for, as demonstrated in
Emerson's examples of two astronomers who spent many hours in tedious and
solitary observation of space in order to make discoveries that benefited
mankind. Many readers will wonder just how satisfying the reward really is when
Emerson acknowledges that the scholar "is to find consolation in
exercising the highest functions of human nature."
The true scholar is dedicated to preserving the wisdom of
the past and is obligated to communicating the noblest thoughts and feelings to
the public. This last duty means that the scholar — "who raises himself
from private considerations, and breathes and lives on public illustrious
thoughts" — must always remain independent in thinking and judgment,
regardless of popular opinion, fad, notoriety, or expediency. Because the
scholar discovers universal ideas, those held by the universal human mind, he
can communicate with people of all classes and ages: "He is the world's
eye. He is the world's heart."
Although he appears to lead a reclusive and benign life,
the scholar must be brave because he deals in ideas, a dangerous currency.
Self-trust is the source of courage and can be traced to the transcendental
conviction that the true thinker sees all thought as one; universal truth is
present in all people, although not all people are aware of it. Instead of
thinking individually, we live vicariously through our heroes; we seek
self-worth through others when we should search for it in ourselves. The
noblest ambition is to improve human nature by fulfilling our individual
natures.
Emerson concludes the essay by observing that different
ages in Western civilization, which he terms the Classic, the Romantic, and the
Reflective (or the Philosophical) periods, have been characterized by different
dominant ideas, and he acknowledges that he has neglected speaking about the
importance of differences between ages while speaking perhaps too fervently
about the transcendental unity of all human thought.
Emerson now proposes an evolutionary development of
civilization, comparable to the development of a person from childhood to
adulthood. The present age — the first half of the 1800s — is an age of
criticism, especially self-criticism. Although some people find such criticism
to be an inferior philosophy, Emerson believes that it is valid and important.
Initiating a series of questions, he asks whether discontent with the quality
of current thought and literature is such a bad thing; he answers that it is
not. Dissatisfaction, he says, marks a transitional period of growth and
evolution into new knowledge: "If there is any period one would desire to
be born in,is it not the age of Revolution; when the old and the new stand side
by side, and admit of being compared; . . . This [present] time, like all
times, is a very good one, if we but know what to do with it."
Emerson applauds the views of English and German romantic
poets like Wordsworth and Goethe, who find inspiration and nobility in the
lives and work of common people. Instead of regarding only royal and
aristocratic subjects as appropriate for great and philosophical literature,
the Romantic writers reveal the poetry and sublimity in the lives of
lower-class and working people. Their writing is full of life and vitality, and
it exemplifies the transcendental doctrine of the unity of all people.
Ironically, we should remember that at the beginning of the essay, Emerson
advocated Americans' throwing off the European mantle that cloaks their own
culture. Here, he distinguishes between a European tradition that celebrates
the lives of common people, and one that celebrates only the monarchical rule of
nations: "We have listened too long to the courtly muses of Europe."
Making special reference to the Swedish philosopher and
mystic Emanuel Swedenborg, Emerson contends that although Swedenborg has not
received his due recognition, he revealed the essential connection between the
human mind and the natural world, the fundamental oneness of humans and nature.
Emerson finds much inspiration for his own thinking and writing in the
doctrines of Swedenborg.
In his long, concluding paragraph, Emerson dwells on the
romantic ideal of the individual. This fundamentally American concept, which he
develops at much greater length in the essay "Self-Reliance," is
America's major contribution to the world of ideas. The scholar must be
independent, courageous, and original; in thinking and acting, the scholar must
demonstrate that America is not the timid society it is assumed to be. We must
refuse to be mere purveyors of the past's wisdom: ". . . this confidence
in the unsearched might of man, belongs by all motives, by all prophecy, by all
preparation, to the American Scholar," who will create a native, truly
American culture.
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Ref: Cliffnotes.com
Ref: Cliffnotes.com
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